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The Thiruvempavai, a collection of twenty hymns in which he has imagined himself as a woman following the Paavai Nonbu and praising Shiva. The twenty songs of Thiruvempavai and ten songs of Tiruppalliezhuchi on the Tirupperunturai Lord are sung all over Tamil Nadu in the holy month of Margazhi (The 9th month of the Tamil calendar, December and ...
The theme of the story is the nullification of the powers of Yama (the God of Death) by Lord Shiva. Lord Shiva blesses sage Mrukanda Maharshi and his wife with a child. Their child, Markandeya, was given a lease of 16 years to live in this world. But the child worships Lord Shiva with unlimited Bhakthi (devotion).
Classical album composed for a dance drama on Lord Shiva choreographed by dancer Krithika Subramaniam, with 10 songs on the CD, collected from Thiruvasagam, Thevaram, Nandanar Charitham, Adi Sankara's Ardhanarishwara Ashtakam among other devotional hymns dedicated to Shiva.
As the legend goes, Thiruvasagam is the only work which is signed as well as written by Shiva in guise of a Tamil man when narrated by Manikkavasagar. The poet chased the writer but without success but the palm leaf manuscript had been seen inside the locked sanctum sanctorum of Thillai Nataraja with the Lord's signature.
It was also responsible for a resurgence in devotional and mythological cinema, since it was released when Tamil cinema was primarily producing social films. [ a ] Thiruvilaiyadal received the Certificate of Merit for the Second-Best Feature Film in Tamil at the 13th National Film Awards and the Filmfare Award for Best Film – Tamil .
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
The Tirumurukarruppatai was likely included in this corpus for god Shiva, because Murugan is one of his sons and the historic reverence for the text. [7] The text is part of these two anthologies, but in some Tamil Hindu communities, the Tirumurukarruppatai manuscripts are found as a separate text, on its own, as a devotional guide. [7]
When Shiva was seated under the shade of a banyan tree, in Kailasa, instructed the rishis about the greatness of the six-headed son of Shiva (Kartikeya) called and implored to be taught the eight forms of prayer. Shiva told them to reverence Parvati, and then they would learn the prayers well.