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Holy Manna is the hymn tune originally written for "Brethren, We Have Met Together", which is one of the oldest published American folk hymns. Holy Manna is a pentatonic melody in Ionian mode . It was originally published by William Moore in Columbian Harmony , a four-note shape-note tunebook , in 1829, and is attributed to him.
Gateway Worship performed the song on their album Living for You and added a chorus to the song, calling it "Come Thou Fount, Come Thou King". The hymn appears on Phil Wickham's album 'Sing-A-Long'. This song is also sung by Clark Davis in the film Love Comes Softly and is a recurring background music in the film.
One of several tunes for the hymn is by William P. Merrill (1867–1954). However, in the United States the main alternative piece of music that is used for the hymn is "Diademata" by George Job Elvey. This music has become more associated with "Soldiers of Christ, Arise" than the original "Soldiers of Christ" music, or any other single tune. [9]
In 1858, Winkworth translated Weisse's German text for "Christus ist erstanden Von der Marter alle" into English, initially giving it the English title of "Song of Triumph". [2] She published "Christ the Lord Is Risen Again" in the second edition of her Lyra Germanica in 1858, attributing the hymn to the "Bohemian Brethren". [4]
Below is the text of A solis ortus cardine with the eleven verses translated into English by John Mason Neale in the nineteenth century. Since it was written, there have been many translations of the two hymns extracted from the text, A solis ortus cardine and Hostis Herodes impie, including Anglo-Saxon translations, Martin Luther's German translation and John Dryden's versification.
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Hyfrydol has been used as a setting for William Chatterton Dix's hymn "Alleluia! Sing to Jesus", Charles Wesley's "Love Divine, All Loves Excelling" and "Come, Thou Long Expected Jesus", Francis Harold Rowley's "I Will Sing the Wondrous Story" (1886), John Wilbur Chapman's "Our Great Savior (Jesus What A Friend of Sinners)" (1910) and Philip Bliss's "I Will Sing of My Redeemer" (1876), the ...
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [ 2 ] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila , to the F natural above ...