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Northwood mark on a vase. The most common Northwood maker mark was an underlined capital N centered inside of a circle. [13] [14] Not all pieces carry the mark but it is seen most often on carnival glass items. L.G. Wright also used a mark like it, but was forced to stop using it. [13]
Irving Amen (1918-2011), stained glass; Gary Beecham (b. 1955) Howard Ben Tré (1949-2020) Martin Blank (b. 1962) Jean-Pierre Canlis (b. 1973) Frederick Carder (1863-1963) Ed Carpenter (b. 1946) Dale Chihuly (b. 1941) Deborah Czeresko (b. 1961) Dan Dailey (b. 1947) Fritz Dreisbach (b. 1941) Robert C. Fritz (1920-1986) Michael Glancy (1950-2020 ...
The finest and most valuable pieces were signed with "GEM CAMEO" included in the mark - Roman cameo glass was itself an imitation of the luxury art form of the cameo engraved gem. In 1889 Thomas Webb & Sons secured an American patent for their process, and in that same year they received a Grand Prix for their exquisite colored glass at the ...
The original factory was in an old glass factory in Martins Ferry, Ohio, in 1905. [1] The factory at one time was owned by the former West Virginia Glass Company. [2] At first they painted glass blanks from other glass makers, but started making their own glass when they became unable to buy the materials they needed. [2]
Moser a.s. is a luxury glass manufacturer based in Karlovy Vary, Czech Republic (previously Ludwig Moser & Sons in Bohemia, Austria-Hungary).The company is known for manufacturing stemware, decorative glassware (such as vases, ashtray, candlestick), glass gifts and various art engravings.
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One of the few successful American glass companies was the New England Glass Company, which was incorporated in 1818 and led by Deming Jarves—the "father of the American glass industry." [ 10 ] Using assistance from the Harvard University library and a British engineer named James B. Barnes , Jarves developed a way to produce red lead from ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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