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DSC compression works on a horizontal line of pixels encoded using groups of three consecutive pixels for native 4:4:4 and simple 4:2:2 formats, or six pixels (three compressed containers) for native 4:2:2 and 4:2:0 formats. [7] Preprocessing: If RGB encoding is used, it is first converted to reversible YC G C O.
For signals of indefinite size, such as streaming audio and video, the compression ratio is defined in terms of uncompressed and compressed data rates instead of data sizes: C o m p r e s s i o n R a t i o = U n c o m p r e s s e d D a t a R a t e C o m p r e s s e d D a t a R a t e {\displaystyle {\rm {Compression\;Ratio}}={\frac {\rm ...
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LZ77 and LZ78 are the two lossless data compression algorithms published in papers by Abraham Lempel and Jacob Ziv in 1977 [1] and 1978. [2] They are also known as Lempel-Ziv 1 (LZ1) and Lempel-Ziv 2 (LZ2) respectively. [3]
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Lossy compression typically achieves far greater compression than lossless compression, by discarding less-critical data based on psychoacoustic optimizations. [ 50 ] Psychoacoustics recognizes that not all data in an audio stream can be perceived by the human auditory system .
Original, Anamorphic and letterbox. Anamorphic widescreen (also called full-height anamorphic or FHA) is a process by which a widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution.
Each compression specification defines various mechanisms by which raw video (in essence, a sequence of full-resolution uncompressed digital images) can be reduced in size, from simple bit compression (like Lempel-Ziv-Welch) to psycho-visual and motion summarization, and how the output is stored as a bit stream. So long as the encoder component ...
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