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The women of Amphissa, seeing that the Phocians were in the camp of the allies and seeing the presence of many soldiers of the usurpers, fearing that the maeneds would be violated, all ran to the market, surrounded the sleeping women silently without questioning them, rendered them all the care possible and brought them food.
Laura Theresa, Lady Alma-Tadema (née Epps; 16 April 1852 – 15 August 1909) was a British painter specialising in domestic and genre scenes of women and children. Eighteen of her paintings were exhibited at the Royal Academy .
The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested. The Women of Amphissa by Lawrence Alma-Tadema On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party.
Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871. Laura, under her married name, also won a high reputation as an artist, and appears in numerous of Alma-Tadema's canvases after their marriage (The Women of Amphissa (1887) being a notable example). This second marriage ...
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Anna Alma-Tadema was described by biographer Helen Zimmern as a "delicate, dainty artist who has inherited so much of her father's power for reproducing detail." [6] During her time as an artist, Anna Alma-Tadema created several portraits, representations of flowers, [7] as well as watercolor depictions of house interiors and buildings. [8]
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A dedication to Bacchus, Lawrence Alma-Tadema, Oil on Canvas, 1889, which featured on the cover of Barrow's book on the artist. Rosemary Julia Barrow (9 April 1968 – 21 September 2016) was a Welsh art historian who specialised in classical themes in Victorian art and the painting of Lawrence Alma-Tadema in particular, whose reputation she attempted to restore.