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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
1930: The Big House: George W. Hill: Chester Morris, Wallace Beery, Robert Montgomery: United States: Prison film [1] Born Reckless: John Ford, Andrew Bennison: Edmund Lowe, Catherine Dale Owen, Lee Tracy: United States [2] The Cat Creeps: Rupert Julian, John Willard: Helen Twelvetrees, Raymond Hackett, Neil Hamilton: United States [3] The ...
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Port of Shadows (French: Le Quai des brumes [lə kɛ de bʁym], "The dock of mists") is a 1938 French film directed by Marcel Carné.An example of poetic realism, it stars Jean Gabin, Michel Simon and Michèle Morgan.
Great Guy was the first of two films James Cagney made for independent film company Grand National Pictures, after he successfully broke his contract with Warner Brothers. After completing his second film, the musical Something to Sing About (which was not a financial success), Cagney returned to Warners.
Lady Killer (French: Gueule d'amour) is a 1937 French drama film directed by Jean Grémillon and starring Jean Gabin, Mireille Balin and Marguerite Deval.It has been classified as both a film noir [1] [2] and an entry into the poetic realist group of films of the late 1930s.
Andrew Spicer, in his book European Film Noir, writes: "A riveting psychological study. With its sustained doom-laden atmosphere, Krampf’s expressive cinematography, its adroit mixture of location shooting and Gothic compositions and Richardson’s wonderful performance as a lower middle-class Everyman, On the Night of the Fire clearly shows ...
Title Director Cast Country Subgenre/Notes 1930: The Arizona Kid: Alfred Santell: Warner Baxter, Mona Maris, Carole Lombard: United States: traditional Western The Bad Man: Clarence G. Badger
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