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Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir , the list takes 1960 to date the beginning of the genre.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
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The femme fatale is alive and well in Los Angeles-set indie “No Way Out,” an old-fashioned noir dressed up in the steamy decadence of an erotic thriller. Trouble is, veteran producer Keith ...
Neo-noir crime thriller [43] Twist: Martin Owen: Rafferty Law, Michael Caine, Lena Headey, Rita Ora, Sophie Simnett: United Kingdom: Crime drama [44] Wrath of Man: Guy Ritchie: Jason Statham, Holt McCallany, Scott Eastwood, Jeffrey Donovan, Laz Alonso, Josh Hartnett, Post Malone: United States: Action-crime thriller [45]
The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]
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