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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Other directors associated with top-of-the-bill Hollywood films noir include Edward Dmytryk (Murder, My Sweet (1944), Crossfire (1947))—the first important noir director to fall prey to the industry blacklist—as well as Henry Hathaway (The Dark Corner (1946), Kiss of Death (1947)) and John Farrow (The Big Clock (1948), Night Has a Thousand ...
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
Bibliography of film: film noir; The Big Bluff (1955 film) The Big Boodle; The Big Caper; The Big Chance (1957 British film) The Big Clock (film) The Big Combo; The Big Fix (1947 film) The Big Heat; Big House, U.S.A. Big Jim McLain; The Big Knife; The Big Night (1951 film) The Big Sleep (1946 film) The Big Steal; The Bigamist (1953 film) Black ...
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American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles , interplay of light and shadows, unbalanced framing ; blurring of the lines between good and bad and right and wrong , and thematic motifs including revenge , paranoia , and alienation .
The neologism neo-noir, using the Greek prefix for the word new, is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility". [3] Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding of film noir .
Two O'Clock Courage is a 1945 American film noir directed by Anthony Mann and written by Robert E. Kent, based on a novel by Gelett Burgess. The drama features Tom Conway and Ann Rutherford . [ 1 ] It is a remake of Two in the Dark (1936).
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