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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Shakedown is a 1950 American crime film noir directed by Joseph Pevney and starring Howard Duff, Brian Donlevy, Peggy Dow, Lawrence Tierney, Bruce Bennett and Anne Vernon. [ 1 ] Plot
Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. [1] The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate. The film exists in the public domain and was restored and preserved by the UCLA Film and Television Archive.
Steven H. Scheuer's TV Movie Almanac & Ratings 1958 & 1959 gives Borderline a "Fair" rating of 2 stars (out of 4), summarizing its plot as "[A] policewoman is sent to get the goods on dope smugglers working from Los Angeles to Mexico" with the evaluation, "[U]ncertain melodrama wavers between seriousness and farce, is successful at neither". 35 years later, in the 1993–1994 edition, the plot ...
Whirlpool is a 1950 [1] [2] American film noir thriller directed by Otto Preminger and written by Ben Hecht and Andrew Solt, adapted from the 1946 novel Methinks the Lady... by Guy Endore. The film stars Gene Tierney , Richard Conte , José Ferrer and Charles Bickford , and features Constance Collier in her final film role.
The Killer That Stalked New York (also known as Frightened City) is a 1950 American film noir directed by Earl McEvoy and starring Evelyn Keyes, Charles Korvin and William Bishop. The film, shot on location and in a semi-documentary style, is about diamond smugglers who unknowingly start a smallpox outbreak in the New York City of 1947.
A Turner Classic Movies expert shares his top picks.
Madeleine is a 1950 British period film noir directed by David Lean, based on a true story of Madeleine Smith, a young Glasgow woman from a wealthy family who was tried in 1857 for the murder of her lover, Emile L'Angelier. The trial was much publicised in the newspapers of the day and labelled "the trial of the century".
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