Search results
Results from the WOW.Com Content Network
Emperor Tomato Ketchup was released on 18 March 1996 in the United Kingdom by Duophonic Records, [6] and on 9 April 1996 in the United States by Elektra Records. [7] The artwork for the album was inspired by the LP cover sleeve of a 1964 recording of composer Béla Bartók's Concerto for Orchestra by the Bamberg Symphony conducted by Heinrich Hollreiser.
Emperor Tomato Ketchup (トマトケチャップ皇帝, Tomato Kechappu Kōtei) is a Japanese short experimental film made by Shūji Terayama in 1970. A 27-minute cut was released in 1971. A 27-minute cut was released in 1971.
Emperor Tomato Ketchup / Tomato Kechappu Kōtei (1971, long version) Throw Away Your Books, Rally in the Streets / Sho o Suteyo, Machi e Deyō (1971) [19] [20] Death in the Country / Den'en ni Shisu (a.k.a.: "Pastoral Hide and Seek") (1974) Boxer / Bokusā (1977) Fruits of Passion / Shanhai Ijin Shōkan (1981) The Lemmings / Remingu (1983)
Emperor Tomato Ketchup may refer to: Emperor Tomato Ketchup (film) , a 1970 Japanese film directed by Shūji Terayama L'Empereur Tomato-Ketchup , a 1986 single by the French punk group Bérurier Noir
Emperor Tomato Ketchup: Stereolab Experimental pop [370] post-rock; Duophonic; Elektra; Critical reception and legacy: 29 April 1996 In Sides: Orbital Ambient techno [371] Internal/FFRR: Spin's "The 300 Best Albums of the Past 30 Years (1985-2014)": #217 [42] Musikexpress's Best Albums of the 90s: #47 [183] Uncut's "The 500 Greatest Albums of ...
Cybele's Reverie is an EP by English-French rock band Stereolab, released on 19 February 1996 by Duophonic Records.Its title track serves as the lead single from their fourth studio album Emperor Tomato Ketchup.
Best: Heinz Simply Tomato Ketchup. $4.18 from Walmart. Shop Now. Best Ketchup Overall. One of the reasons why so many Americans love Heinz may be because Heinz has been making ketchup since 1876 ...
The band's fourth album, Emperor Tomato Ketchup (March 1996), was a critical success and was played heavily on college radio. [5] A record that "captivated alternative rock", it represented the group's "high-water mark" said music journalists Tom Moon and Joshua Klein, respectively.