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Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time. Miriam played a majority of her music in the form of "mbube", which was "a style of vocal harmony which drew on American jazz, ragtime, and Anglican church hymns, as well as indigenous styles of music." After she moved to ...
Goonji/Gonjey/Goge – Traditional one stringed-fiddle played by a majority of other sahelian groups in West Africa. Gungon – Bass snare drum of the Lunsi ensemble. Of northern origin, it is played throughout Ghana by various groups, known by southern groups as brekete. Related to the Dunun drums of other West African peoples.
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods. Traditional West African music varies due to the regional separation of West Africa, yet it can be distinguished by two distinct categories: Islamic music and indigenous secular music.
Map of African Linguistic Groups Traditional healer of South Africa dancing to the rhythm of the drum in celebration of his ancestors Kids in Alexandra township, South Africa, playing around on their father's drums. Many Sub-Saharan languages do not have a word for rhythm, or even music [citation needed].
Traditional sub-Saharan African harmony; U. Unyago This page was last edited on 15 May 2024, at 05:49 (UTC). Text is available under the Creative Commons ...
However, performers of African popular music do not perceive these progressions in the same way. Harmonic progressions which move from the tonic to the subdominant (as they are known in European music) have been used in Traditional sub-Saharan African harmony for hundreds of years. Their elaborations follow all the conventions of traditional ...
Waka music is a popular Islamic-oriented Yoruba musical genre. [1] It was made popular by Alhaja Batile Alake from Ijebu, who took the genre into the mainstream Nigerian music by playing it at concerts and parties; also, she was the first waka singer to record an album.