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VistaVision could be shown at widescreen aspect ratios between 1.66 and 2.00:1. VistaVision could be (and most often was) further printed down to standard vertical 35 mm reels, keeping its 1.66:1 widescreen aspect ratio, which meant that exhibitors did not need to purchase additional projection equipment, as was often required for CinemaScope.
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The Technirama process used a film frame area twice as large as CinemaScope. This gave the former a sharper image with less photographic grain. Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama.
At D is the lens of the camera, the camera's finder is at E and the adjustable shutter control at F. The heavy base G contains all the electronics needed for controlling the printer. Inexpensive J-K 16 mm optical printer using a Bolex camera. An optical printer is a device consisting of one or more film projectors mechanically linked to a movie ...
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Some formats are referred to in terms of the ratio "perforations per frame/gauge size" to provide an easy way of denoting size. For instance, 35mm Academy is also known as 4 perf-35mm; VistaVision is 8 perf-35mm; the long-time standard Todd-AO 70 mm film is 5 perf-70mm; and IMAX is 15 perf-70mm. This description does not indicate whether the ...
Paramount Presents VistaVision: 1954: Paramount: 19-minute promo film: VistaVision Visits Norway: 1954: Paramount: Short film White Christmas: 1954: Paramount: First VistaVision release [1] 3 Ring Circus: 1954: Paramount [2] An Alligator Named Daisy: 1955: Rank: Artists and Models: 1955: Paramount [3] The Desperate Hours: 1955: Paramount: First ...
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