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The visual weight and the balance of a figure inserted in an image can be determined using the lightness of the figure, the lightness of the ground and their sizes and positions interactions in the composition visual. We establish that an image is totally balanced when the resultant force is located in the geometric center of the image.
Symmetry in physics has been generalized to mean invariance—that is, lack of change—under any kind of transformation, for example arbitrary coordinate transformations. [17] This concept has become one of the most powerful tools of theoretical physics, as it has become evident that practically all laws of nature originate in symmetries.
Formal balance, also called symmetrical balance, is a concept of aesthetic composition involving equal weight and importance on both sides of a composition. [1] [2 ...
Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context.
Michael Ryan and Melissa Lenos, authors of the book An Introduction to Film Analysis: Technique and Meaning in Narrative Film, state that the use of rule of thirds is "favored by cinematographers in their effort to design balanced and unified images" (page 40). [5]
Asymmetry is the absence of, or a violation of, symmetry (the property of an object being invariant to a transformation, such as reflection). [1] Symmetry is an important property of both physical and abstract systems and it may be displayed in precise terms or in more aesthetic terms. [2]
The orientation of the contours of different textures in an image can determine which objects are grouped together. Generally, parallel contours suggest membership to the same object or group of objects. Similarly, symmetry of the contours can also define the figure of an image. [6]
In photography and image processing, color balance is the global adjustment of the intensities of the colors (typically red, green, and blue primary colors). An important goal of this adjustment is to render specific colors – particularly neutral colors like white or grey – correctly.