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In March 1519 at a masque at Greenwich Palace female dancers in fanciful "Egyptian" costumes wore black velvet gowns "with hoops from the waist downwards", which may have been farthingales. [ 4 ] Farthingales remained a fixture of conservative Spanish court fashion into the early 17th century (as exemplified by Margaret of Austria ), before ...
Architect Inigo Jones designed a masque costume for Henrietta Maria that widely revealed both of her breasts. [49] [66] Cleavage-enhancing corsets, which used whalebone and other stiff materials to create a desired silhouette—a fashion that was also adopted by men for their coats—were introduced in the mid-16th century. [67] [68]
The Visual History of Costume: The Sixteenth Century. 1983 edition (ISBN 0-89676-076-6), 1994 reprint (ISBN 0-7134-6828-9). Favier, Jean, Gold and Spices: The Rise of Commerce in the Middle Ages, London, Holmes and Meier, 1998, ISBN 0-8419-1232-7. Hayward, Maria: Dress at the Court of King Henry VIII, Maney Publishing, 2007, ISBN 1-904350-70-4
English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
A Renaissance Festival (medieval fair or ren faire) is an outdoor gathering that aims to entertain its guests by recreating a historical setting, most often the English Renaissance. Renaissance festivals generally include costumed entertainers or fair-goers, musical and theatrical acts, art and handicrafts for sale, and festival food.
Dacian women wearing scarves similar to the contemporary headkerchief. Artistic renditions of Dacian (2nd century BC) and Romanian (19th century) peasant dress Given the weight (900-1,100 g) and size, the handmade gold bracelets were most likely worn by Dacian men, members of the upper class.
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