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Psalm 139 is part of the final Davidic collection of psalms, comprising Psalms 138 through 145, which are attributed to David in the first verse. [ 5 ] [ 6 ] Verse 16 is the only place in the Tanakh where the word גָּלְמִ֚י , galmi , from the same root as the term golem , appears.
The opening chorus is based on Psalms 139:23, [2] focused on the examination of the believer's heart by God. [5] The closing chorale is the ninth stanza of Johann Heermann's hymn " Wo soll ich fliehen hin" (1630) on the melody of "Auf meinen lieben Gott ", [2] [6] which Bach used again in 1724 as the base for his chorale cantata Wo soll ich ...
Matthew 23:13: [1] "But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in." Matthew 26:23–24: [2] "And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me. The Son of man ...
David sings about the omniscience and omnipresence of God, and praises Him for His creation of man and His condemnation of evil. People: David - יהוה YHVH God. Related Articles: Psalm 139 - Omniscience - Omnipresence - Sheol. English Text: American Standard - Douay-Rheims - Free - King James - Jewish Publication Society - Tyndale - World ...
Psalm 140 is the 140th psalm of the Book of Psalms, beginning in English in the King James Version: "Deliver me, O LORD, from the evil man". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and the Latin Vulgate, this psalm is Psalm 139. In Latin, it is known as "Eripe me Domine ab homine malo". [1]
In place of Psalm 94(95), Psalm 99(100), Psalm 66(67), or Psalm 23(24) may be used as circumstances may suggest. Verse 17 of Psalm 50(51) Domine, labia mea aperies is often used as the invitatory antiphon in the Liturgy of the Hours.
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David is depicted giving a penitential psalm in this 1860 woodcut by Julius Schnorr von Karolsfeld. The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering).
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