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Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. [1] Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type. Cutting punches and casting type was the first step of traditional typesetting ...
The finished letter punch is finally hardened to withstand the rigours of reproduction by striking. One counterpunch and one letterpunch are produced for every letter or glyph making up a complete font. Matrix The letterpunch is used to strike a blank die of soft metal to make a negative letter mould, called a matrix. Casting
Walbaum was a punchcutter, who carved steel punches used as a master to stamp matrices, the moulds used to cast metal type. [8] Walbaum was born in Steinlah, a district of the town of Haverlah in modern Lower Saxony. Based first in Goslar and later in Weimar, he created type in the Didone style, also known as the 'rational' or 'modern' style.
A center punch is used to mark the center of a point. It is usually used to mark the center of a hole when drilling holes. A drill has the tendency to "wander" if it does not start in a recess. A center punch forms a large enough dimple to "guide" the tip of the drill. The tip of a center punch has an angle between 60 and 90 degrees. [1]
Claude Garamond. Claude Garamont (c. 1510 –1561), [1] known commonly as Claude Garamond, was a French type designer, publisher and punch-cutter based in Paris. [2] [3] Garamond worked as an engraver of punches, the masters used to stamp matrices, the moulds used to cast metal type.
A piece of cast metal type, Garamond style long s / i ligature. See also: movable type . Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times .
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