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The Renaissance was largely driven by the renewed interest in classical learning, and was also the result of rapid economic development. At the beginning of the 16th century, Germany (referring to the lands contained within the Holy Roman Empire) was one of the most prosperous areas in Europe despite a relatively low level of urbanization compared to Italy or the Netherlands.
Winckelmann's work marked the entry of art history into the high-philosophical discourse of German culture; he was read avidly by Goethe and Friedrich Schiller, both of whom began to write on the history of art, and his account of the Laocoön Group occasioned a response by Lessing. Goethe had tried to train as an artist, and his landscape ...
The earliest pictorial record of a natural history cabinet is the engraving in Ferrante Imperato's Dell'Historia Naturale (Naples 1599) (illustration).It serves to authenticate its author's credibility as a source of natural history information, by showing his open bookcases (at the right), in which many volumes are stored lying down and stacked, in the medieval fashion, or with their spines ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Grundriß der Kunstgeschichte (1860; thirteenth edition, 1899–1907; English translation, under the title Outlines of the History of Art by Clarence Cook, 1878, and reëdited by Russell Sturgis, New York, 1904). Geschichte der Renaissance Frankreichs, 1868 ("History of the Renaissance in France").
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
Danube landscape near Regensburg, by Albrecht Altdorfer A landscape etching by Albrecht Altdorfer. The Danube school or Donau school (German: Donauschule or Donaustil) was a circle of painters of the first third of the 16th century in Bavaria and Austria (mainly along the Danube valley).
The German school of fencing (Deutsche Schule; Kunst des Fechtens [a]) is a system of combat taught in the Holy Roman Empire during the Late Medieval, German Renaissance, and early modern periods. It is described in the contemporary Fechtbücher ("fencing books") written at the time.