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Kete are traditional baskets made and used by New Zealand's Māori people. [1] They are traditionally woven from the leaves of New Zealand flax called harakeke and have two handles at the top. [2] Other materials are sometimes used, including sedge grass or the leaves of the nikau palm and cabbage tree. [1] [3] Modern designs may also use dyed ...
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Māori traditional textiles are the indigenous textiles of the Māori people of New Zealand. The organisation Te Roopu Raranga Whatu o Aotearoa , the national Māori weavers' collective , aims to preserve and foster the skills of making and using these materials.
Although in an essentially traditional style, this carving was created using metal tools and uses modern paints, creating a form distinct from that of pre-European times. Māori visual art consists primarily of four forms: carving ( whakairo ) , tattooing ( tā moko ), weaving ( raranga ), and painting ( kōwhaiwhai ). [ 7 ]
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
Designs on carvings depict tribal ancestors, and are often important for establishing iwi and hapu identity. [ 2 ] After European contact, many traditionally carved items were no longer widely produced in favour of using Western counterparts, such as waka huia treasure containers being replaced with lockable seaman's chests by the 1840s. [ 3 ]
The multi-disciplinary design group Brenner Associates was established in 1949 and specialised graphic design agencies including that of Bill Haythornthwaite emerged in the post-war period. Much industrial, interior, graphic, jewellery and fashion design in New Zealand was influenced by international trends although distinctive New Zealand ...
The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.