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The design is sometimes interpreted as the arms of warriors caught in haka (fierce rhythmic dance) action. The niho taniwha (taniwha tooth) pattern is a notched-tooth design found on all types of objects, mats, woven panels, belts, and clothing. The poutama is a stepped design signifying the growth of man, striving ever upwards.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Kete are traditional baskets made and used by New Zealand's Māori people. [1] They are traditionally woven from the leaves of New Zealand flax called harakeke and have two handles at the top. [2] Other materials are sometimes used, including sedge grass or the leaves of the nikau palm and cabbage tree. [1] [3] Modern designs may also use dyed ...
The multi-disciplinary design group Brenner Associates was established in 1949 and specialised graphic design agencies including that of Bill Haythornthwaite emerged in the post-war period. Much industrial, interior, graphic, jewellery and fashion design in New Zealand was influenced by international trends although distinctive New Zealand ...
The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
Today, their main use is ornamental and they are commonly worn around the neck not only by Māori, but also by other New Zealanders who identify with the hei matau as a symbol of New Zealand. They are also popular items on the tourist market. Many modern pendants are not functional fish hooks.
Although in an essentially traditional style, this carving was created using metal tools and uses modern paints, creating a form distinct from that of pre-European times. Māori visual art consists primarily of four forms: carving ( whakairo ) , tattooing ( tā moko ), weaving ( raranga ), and painting ( kōwhaiwhai ). [ 7 ]