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The settings of the Requiem Mass by Marc-Antoine Charpentier (H.234, H.263, H.269, H.427), Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem.
Rutter completed his Requiem in 1985. It bears the dedication "in memoriam L. F. R.", [1] John Rutter's father, who had died the previous year. [2]He conducted the first performance on 13 October 1985 at Lovers' Lane United Methodist Church, Dallas, Texas, where the director of Music Allen Pote prepared the Sanctuary Choir and orchestra.
Sir John Milford Rutter CBE ... published with lyrics in both English and Japanese, ... Pie Jesu; Praise the Lord, O my soul;
Some text extracts have been set to music independently, such as the Pie Jesu in the settings of Fauré (1880s), Dvořák (1890s), Duruflé (1940s) and Rutter (later). Pie Jesu are late words in the Dies irae and they are followed by the final words of the Agnus Dei:
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The orchestration of the final version comprises mixed choir, solo soprano, solo baritone, two flutes, two clarinets (only in the Pie Jesu), two bassoons, four horns, two trumpets (only in the Kyrie and Sanctus), three trombones, timpani (only in the Libera me), harp, organ, strings (with only a single section of violins, but divided violas and ...
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