Search results
Results from the WOW.Com Content Network
The soundtrack list to Matilda the Musical was released by Sony Masterworks and Netflix Music on 4 November 2022. [8] The album featured much of the songs featured in the stage musical as well as a new closing number written for the film, that kept undisclosed (later titled "Still Holding My Hand").
In October 2011, Matilda won Best Musical and Best Actor (Bertie Carvel) in the UK Theatre Awards, [16] and in November 2011 it won the Ned Sherrin Award for Best Musical as part of The Evening Standard Theatre Awards. [17] The production was nominated in all 10 categories for which it was eligible at the 2012 Olivier Awards. The four Matildas ...
Roald Dahl's Matilda the Musical, or simply Matilda the Musical, or Matilda, is a 2022 fantasy musical film directed by Matthew Warchus from a screenplay by Dennis Kelly, based on the stage musical of the same name by Tim Minchin and Kelly, which in turn was based on the 1988 novel Matilda by Roald Dahl.
All versions of Matilda—the 1988 novel, the 1996 film directed by Danny DeVito, the West End/Broadway stage film, and the 2022 Netflix movie musical—differ from each other in key ways.
Roald Dahl's Matilda, a classic novel about a precocious, neglected child whose intelligence manifests as telekinetic powers, was adapted into a celebrated West End musical back in 2011. With ...
The best movie musicals to ever hit our screens, from 'The Sound of Music,' to 'A Star Is Born.'
"When I Grow Up" was the first song that Tim Minchin wrote for Matilda, attempting to find a tone for the entire musical, drawing inspiration from his child. [1] He also drew inspiration from a childhood memory in which the adults on his grandfather's farm would fiddle with the padlock to a gate, whereas Minchin went out of his way to hurdle the gate, promising to himself to never open the ...
The School Library Journal wrote "You can’t help but love songs with double meanings like the oh-so appropriately named 'Revolting Children'". [3] The New York Times deemed it a "rousing final number" [2] and "an anthem of liberation", suggesting "which Mr. Darling has choreographed with a wink at Bill T. Jones’s work on “Spring Awakening”". [4]