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Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
Galindo use body to explore "female sexuality, notions of feminine beauty, race or domestic and national violence". [8] Editors of Holy Terrors: Latin American Women Perform (2003) stated Galindo's body art as "politics of representation and the strategies of power written across the female body, which serves as both message and the vehicle". [9]
Maria Lassnig - self portraits and paintings focused on body awareness; Aristide Maillol – early 20th century; Milo Manara – Italian comic book writer and artist; Alfons Mucha – art nouveau; Patrick Nagel – modern day; Alice Neel - depicts women through the female gaze; Michael Parkes – modern day; George Petty – pin up art
Body art is art in which the artist uses their human body as the primary medium. [1] Emerging from the context of Conceptual Art during the 1970s, [1] Body art may include performance art. Body art is likewise utilized for investigations of the body in an assortment of different media including painting, casting, photography, film and video. [2]
Abramović's art also represents the objectification of the female body, as she remains passive and allows spectators to do as they please to her; the audience pushes the limits of what might be considered acceptable. By presenting her body as an object, she explores the limits of danger and exhaustion a human can endure. [3]
Female self-portrait in painting is the representation of a person of the female gender painted by herself. While using pictorial techniques and responding to the motivations of the self-portrait in general, the female self-portrait differentiates itself from the male by aspects concerning the physiognomy , the anatomy and the physiology of the ...
For example, Regina José Galindo, is a Guatemalan performance artist who specializes in body art. Galindo's female body works focus on two major representations: First, the representation of the "excessive, carnalized, grotesque and abject female body"; Second, on the "female body that has been subjected to violence at a private and public level".
For Lynda Nead, the female nude is a matter of containing sexuality; in the case of the classical art history view represented by Kenneth Clark, this is about idealization and de-emphasis of overt sexuality, while the modern view recognizes that the human body is messy, unbounded, and problematical. [41]
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