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A strain is often referred to as a "section" of a musical piece. Often, a strain is repeated for the sake of instilling the melody clearly. This is so in ragtime and marches. The Oxford English Dictionary lists this use of "strain" (n.2, III, 12) as part of the same noun more often used to denote an extreme of effort or pressure. OED derives it ...
A second theme (or B strain). A repeat of the B strain. A restatement of the A strain. It concludes with a pair of 16-bar themes in the subdominant key (the key with one additional flat, or one less sharp), commonly called the trio, in the following sequence: A third theme (or C strain). A repeat of the C strain. A fourth theme (or D strain).
On a stress vs. strain curve, there is a linear region where stress and strain are related called Young's modulus. A newer set of strings will often be in a region on the stress vs. strain curve past the Young's modulus called the plastic region. In the plastic region, plastic deformation occurs—deformation the material cannot recover from.
While the word ragtime was first known to be used in 1896, the term probably originates in the dance events hosted by plantation slaves known as “rags”. [4] The first recorded use of the term ragtime was by vaudeville musician Ben Harney who in 1896 used it to describe the piano music he played (which he had extracted from banjo and fiddle players).
The next section is commonly called the first strain, as it is the first prominent melody of the march. The first strain is typically 8 or 16 bars long with 4-measure phrases. The first strain can be in either major or minor mode and can use any variety of dynamics, instrumentation and modulations.
The final strain of a British march often has a broad lyrical quality to it. Archetypical British marches include "The British Grenadiers" and those of Major Ricketts, such as the well-known "Colonel Bogey March" and "The Great Little Army". Scottish bagpipe music makes extensive use of marches played at a pace of approximately 90 beats per minute.
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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...