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The ancient Greek pandoura was a medium or long-necked lute with a small resonating chamber, used by the ancient Greeks. It commonly had three strings: such an instrument was also known as the trichordon (three-stringed) (τρίχορδον, McKinnon 1984:10).
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
Cycladic culture harp player, 2800–2700 B.C. Harps probably evolved from the most ancient type of stringed instrument, the musical bow.In its simplest version, the sound body of the bowed harp and its neck, which grows out as an extension, form a continuous bow similar to an up-bowed bow, with the strings connecting the ends of the bow.
The psaltery of Ancient Greece was a harp-like stringed instrument.The word psaltery derives from the Ancient Greek ψαλτήριον (psaltḗrion), "stringed instrument, psaltery, harp" [3] and that from the verb ψάλλω (psállō), "to touch sharply, to pluck, pull, twitch" and in the case of the strings of musical instruments, "to play a stringed instrument with the fingers, and not ...
See Rotta for the medieval lyre, or Rote for the fiddle. During the 11th to 15th century A.D., rotte (German) or rota (Spanish) referred to a triangular psaltery illustrated in the hands of King David and played by jongleurs (popular musicians who might play the music of troubadours) and cytharistas (Latin word for a musician who plays string instruments).
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
During the Middle Ages the word "sambuca" was applied to: [3] a stringed instrument, about which little can be discovered; a hurdy-gurdy, a hand-cranked stringed musical instrument from the Middle Ages, sometimes called a sambuca or sambuca rotata; a wind instrument made from the wood of the elder tree (sambūcus).
In modern times, the instrument has been revived by Sri Lankan composer and violinist Dinesh Subasinghe and used in several of his compositions, including Rawan Nada and the Buddhist oratorio Karuna Nadee. [5] [6] The European experimental folk band Heilung also make use of the ravanahatha, in two of their albums Ofnir and Futha.