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East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000. ISBN 1-56639-763-4. "The African Folk Music Tradition from Guyana: A Discourse and Performance". Brown Bag Colloquium Series 2003–2004. Seals, Ray. "The Making of Popular Guyanese Music"
Indo-Caribbean contributions to popular music are very important. The most well-known is the Indo-Trinidadian chutney music tradition. Chutney is a form of popular dance music that developed in the mid-to late 20th century. Baithak Gana is a similar popular form originating in Suriname. Modern Indian film music, filmi, is also renowned among ...
Shanto is a form of Guyanese music, related to both calypso and mento. [1] It became a major part of early popular music through its use in Guyanese vaudeville shows; songs are topical and light-hearted, often accompanied by a guitar. [2] The word "shanto" is a conflation of "shanty" - the term used in Guyana for work songs - and "calypso
The songs included "B. G. Bargee" ("bargee" or "bhagee" being a type of dance rhythm); "The West Indian Weed Woman" (also known as "The Weed Song", later recorded by Harry Belafonte), describing the use of local plants in medicine and cooking; and "Sugar, Cent a Pound", about sugar salvaged from a local shipwreck. [3]
Although chutney music has Hindustani words it has been deemed ownership by the local Indians and belongs to the Caribbean, it has not been recognized in the Indian music or film industry, it is of Indo-Caribbean culture. Traditionally speaking, the lyrics of chutney are from folk, classical, and religious music, but that has changed over the ...
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