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The museum collection features decorative ceramic tiles or azulejos from the second half of the 15th century to the present day. Besides tiles, it includes ceramics, porcelain and faience from the 19th to the 20th century. Its permanent exhibition starts with a display of the materials and techniques used for manufacturing tiles.
Panel of the Battle of Aljubarrota by Portuguese artist Jorge Colaço, 1922. Azulejo (Portuguese: [ɐzuˈle(j)ʒu, ɐzuˈlɐjʒu], Spanish:; from the Arabic الزليج, al-zillīj) [1] [2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework.
Encaustic or inlaid tiles are ceramic tiles in which the pattern or figure on the surface is not a product of the glaze but of different colors of clay. They are usually of two colours but a tile may be composed of as many as six. The pattern appears inlaid into the body of the tile, so that the design remains as the tile is worn down.
Glazed architectural terra cotta is a ceramic masonry building material used as a decorative skin. It featured widely in the 'terracotta revival' [1] from the 1880s until the 1930s. It was used in the UK, United States, Canada and Australia and is still one of the most common building materials found in U.S. urban environments.
The new, purpose-built factory was the largest tile works in the world and the company was the world's largest producer of ceramic tiles, making more than 20 million pieces a year. The range of tiles was expanded over the years and included relief tiles, encaustic tiles, [ 1 ] mosaic tiles, transfer printed tiles and hand-painted picture tiles.
Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat.
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