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"The Blues Come Around" is a song written and recorded by Hank Williams for MGM Records. It was released as the B-side to the single "I'm a Long Gone Daddy" in June 1948.. It was recorded at Castle Studio in Nashville with Fred Rose producing and backing from Jerry Byrd (steel guitar), Robert "Chubby" Wise (fiddle), Zeke Turner (lead guitar), probably Louis Innis (bass) and either Owen Bradley ...
"I'm Not Coming Home Any More" is a song by Hank Williams. It is one of his earliest compositions and recordings, having been recorded in 1942. It is one of his earliest compositions and recordings, having been recorded in 1942.
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
"Every Day I Have the Blues" is a blues song that has been performed in a variety of styles. An early version of the song is attributed to Pinetop Sparks [ 2 ] and his brother Milton. [ 3 ] [ 4 ] [ a ] It was first performed in the taverns of St. Louis by the Sparks brothers and was recorded July 28, 1935 by Pinetop with Henry Townsend on guitar.
10. I'm Tore Down (Freddie King) 11. Have You Ever Loved A Woman (Billy Myles) 12. White Room (Jack Bruce, Pete Brown) 13. Every Day I Have The Blues (T-Bone Walker) 14. Holy Mother (Eric Clapton, Stephen Bishop) The VHS release omits "Hoochie Coochie Man" and "It Hurts Me Too".
Completely Well, released in 1969, is a studio album by the blues guitarist B. B. King.It is notable for the inclusion of "The Thrill Is Gone", which became a hit on both the R&B/soul and pop charts and which earned him a Grammy Award for Best Male R&B Vocal Performance in 1970.
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
The Toronto Star deemed the album "nice, laid-back blues." [17] Ebony concluded that "the gritty 'Mean and Evil' reflects his Mississippi upbringing, while the moving, melancholy title song is sure to be a blues classic." [18] The Chicago Tribune called "The Lowdown" "a classic after-hours blues, tailor-made for King's impassioned vocals." [7]