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The Ares Borghese in the Louvre (Ma 866) The Ares Borghese is a Roman marble statue of the imperial era (1st or 2nd century AD). It is 2.11 metres (6 ft 11 in) high. Though the statue is referred to as Ares, this identification is not entirely certain. This statue possibly preserves some features of an original work in bronze, now lost, of the ...
An inscription on a statue base (IG II 3 4, 242) found near the Agora records the dedication of a statue by "the community of Acharnae... as a thank-offering to Ares and Augustus," when one Apollophanes was priest of Ares. This is probably connected in some way with the transfer of the temple to the Agora, since Acharnae was the location of ...
The Ludovisi Ares. The sculpture was a sensational find. A small-scale bronze replica of it was executed by G.F. Susini, heir and assistant to his more famous uncle Antonio Susini, when he visited Rome in the 1630s and copied several marbles from Ludovisi's collection; a bronze of the Ludovisi Ares is in the Ashmolean Museum, Oxford.
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Gods were immortal but could be bound and restrained, both in mythic narrative and in cult practice. There was an archaic Spartan statue of Ares in chains in the temple of Enyalios (sometimes regarded as the son of Ares, sometimes as Ares himself), which Pausanias claimed meant that the spirit of war and victory was to be kept in the city.
Throughout the ages, art has been a part of the church. God designed the temple, employing artisans to create its beautiful and ornate workmanship. Churches of old included stained-glass windows created to illustrate God’s word, and even the most simple country churches often include beautiful wooden crosses and podiums.
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The plant patterns in the red sky are formed by scratching away black paint from the red glass before firing. A restored panel with new lead cames. In northern Europe, stained glass was an important and prestigious form of painting until the 15th century, when it became supplanted by panel painting .
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