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Roman statue of Isis, second century CE. Greco-Roman mysteries were voluntary, secret initiation rituals. [2] They were dedicated to a particular deity or group of deities, and used a variety of intense experiences, such as nocturnal darkness interrupted by bright light, or loud music or noise, that induced a state of disorientation and an intense religious experience.
The Villa of the Mysteries (Italian: Villa dei Misteri) is a well-preserved suburban ancient Roman villa on the outskirts of Pompeii, southern Italy.It is famous for the series of exquisite frescos in Room 5, which are usually interpreted as showing the initiation of a bride into a Greco-Roman mystery cult.
The Places of Roman Isis. Vol. 1. Oxford University Press. Meyers, C. (2016). "The Cult of Isis and Other Mystery Religions in Pompeii and the Roman World." Nappo, Salvatore. "Pompeii: Guide to the Lost City", White Star, 2000, ISBN 88-8095-530-6; Plutarch. "Isis and Osiris" from the Moralia, Book V. Available on penelope.uchicago.edu
In conjunction with the Pompeii exhibit, the museum center’s Omnimax theater will also be showing the documentary "Volcanoes: The Fires of Creation," which includes a segment filmed at modern ...
[228] [229] Unlike Egyptian cult images, Isis's Hellenistic and Roman statues were life-size or larger. The daily ritual still entailed dressing the statue in elaborate clothes each morning and offering it libations, but in contrast with Egyptian tradition, the priests allowed ordinary devotees of Isis to see the cult statue during the morning ...
2,800-year-old ‘recycling bin’ discovered in ruins of ‘Britain’s Pompeii,’ photos show. ... Dubbed “Britain’s Pompeii,” it was destroyed in a “catastrophic” fire less than a ...
The Temple of Isis in Pompeii, which can also be traced back to the second century BCE, marks the rise of her cult. [31] The cult became popular among slaves, freedmen, women and later the nobility with followers believing that Isis could grant eternal life as she resurrected her slain husband from the dead.
The Fugitives were uncovered by Amedeo Maiuri, the superintendent of Pompeii. They were uncovered in 1961 as hollow cavities where the flesh had rotted away. When filled with plaster of paris, the bodies of the victims were revealed. They were originally found in three smaller groups. [6] They are now displayed in one long line.