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Shooting Dogs, released in the United States as Beyond the Gates, is a 2005 film, directed by Michael Caton-Jones and starring John Hurt, Hugh Dancy and Clare-Hope Ashitey. It is based on the experiences of BBC news producer David Belton, who worked in Rwanda during the Rwandan genocide. Belton is the film's co-writer and one of its producers.
The film has been met with generally positive reviews. Rotten Tomatoes awarded the film an 80% fresh rating. [4] Noel Murray, writing for the Los Angeles Times, said "Anyone old enough to feel nostalgic for the era of VHS board games should get a kick out of “Beyond the Gates,” a horror movie as retro in style as subject matter."
Beyond the Gates, an upcoming American daytime soap opera scheduled to premiere on CBS in early 2025; In film: The Walls of Malapaga (alternate English title: Beyond the Gates), a 1949 Franco-Italian film; Shooting Dogs (U.S. title: Beyond the Gates), a 2005 film about the 1994 Rwandan Genocide; Beyond the Gates, a 2016 American horror film ...
Beyond the Gates, an all-new CBS daytime drama that premieres on Feb. 24, will make history as the first Black soap opera in 35 years following Generations, which ran for 13 months and concluded ...
Beyond the Gates is the first Black soap to hit the air in 35 years, after NBC canceled the groundbreaking series Generations after only three seasons in 1991.It's also the first new soap to ...
"Beyond the Gates" will be the first new daytime drama to debut since "Passions" premiered in 1999. Eddie Vedder on the origin of Pearl Jam: "It was heaven" U.S. passports can now be renewed online
David Belton is a director, writer, and film producer. His experiences as a BBC reporter covering the 1994 Rwandan genocide led him to write the original story and produce the film Shooting Dogs, directed by Michael Caton-Jones, which dramatizes the events at the Ecole Technique Officielle. [1]
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.