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In the 1870s, courts in the United States overruled the common-law principle that a husband had the right to "physically chastise an errant wife". [21] In the UK, the traditional right of a husband to inflict moderate corporal punishment on his wife in order to keep her "within the bounds of duty" was similarly removed in 1891.
Women Working, 1870–1930, Fanny Kemble (1809–1893), full-text searchable online database with complete access to publications written by Fanny Kemble; Enslavement: The True Story of Fanny Kemble (TV movie, 2000), IMDB.com, starring Jane Seymour; based on Fanny Kemble's Journal of a Residence on a Georgian Plantation in 1838–1839
Birching in a women's prison, US (c. 1890) 1839 caricature by George Cruikshank of a school flogging Edmund Bonner punishing a heretic in Foxe's Book of Martyrs (1563) It was the most common school and judicial punishment in Europe up to the mid-19th century, when caning gained increasing popularity.
The video shows the flogging of a woman in the courtyard of a police station or court in Omdurman, Sudan. It includes no information on the identity of the woman, why or when she was being flogged, or the location of the flogging. All one could see (and hear) was a man (allegedly the judge), ordering the woman to sit down so they can „get
The Monthly Film Bulletin wrote: "This preposterous story contrives to be both childish and disagreeable. The action comprises scenes of flogging and torture, a sort of Sabine raid on the scantily dressed Norm women, much chasing to and fro of strangely costumed tribesmen armed with bows and arrows, and some 'uplift' dialogue – the Mutates have kept their faith in God, the Norms worship the ...
Judicial corporal punishment in a women's prison, USA (ca. 1890) American colonies judicially punished in a variety of forms, including whipping, stocks, the pillory and the ducking stool. [66] In the 17th and 18th centuries, whipping posts were considered indispensable in American and English towns. [67]
Sari (Estelle Taylor), the titular whip-wielding woman, is a Hungarian peasant who intervenes to prevent Count Michael Ferrenzi (Antonio Moreno) from committing suicide. The grateful Count wants to marry Sari, but his aristocratic mother (Hedda Hopper) tries to stop their wedding. Sari and the Count are eventually wed despite the circumstances. [3]
She was a master of the art of inflicting pain for pleasure, and practised absolute privacy to protect her clientele. Her clients were said to have been both men and women of wealth, and her career was financially lucrative. [5] Berkley's fame was such that the pornographic novel Exhibition of Female Flagellants was attributed to her, probably ...