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Broude, Norma and Mary Garrard, The Power of Feminist Art: Emergence, Impact and Triumph of the American Feminist Art Movement. New York, Abrams, 1994. Butler, Connie, WACK! Art and the Feminist Revolution, Los Angeles: Museum of Contemporary Art. 2007. Chicago, Judy. Beyond the Flower: The Autobiography of a Feminist Artist. New York: Viking ...
Lucy R. Lippard stated in 1980 that feminist art was, "neither a style nor a movement but instead a value system, a revolutionary strategy, a way of life." [7] Emerging at the end of the 1960s, the feminist art movement was inspired by student activism, the civil rights movement, and Second-wave feminism.
The feminist art movement in the 1980s and 1990s built upon the foundations laid by earlier feminist art movements of the 1960s and 1970s. Feminist artists throughout this time period aimed to question and undermine established gender roles, confront issues of gender injustice, and give voice to women's experiences in the arts and society at large.
In the 1970s, Judy Chicago created The Dinner Party, a very important work of feminist art. Helen Frankenthaler was an Abstract Expressionist painter and she was influenced by Jackson Pollock. Lee Krasner was also an Abstract Expressionist artist and married to Pollock and a student of Hans Hofmann.
As the critic Lucy Lippard noted, feminist art isn’t a “movement” but rather “a value system, a revolutionary strategy, a way […] Essentials: 7 Rousing Books on Feminist Art and Artists ...
The work of the feminist psychoanalyst and philosopher, Julia Kristeva, has influenced feminist theory in general and feminist literary criticism in particular. From the 1980s onwards, the work of artist and psychoanalyst Bracha Ettinger has influenced literary criticism, art history, and film theory.
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Propaganda literature and art featuring pro-women's suffrage information was created between the late 19th century and early 20th century. [29] [16] The visual campaign for women's suffrage was one of the longest such movements in the United States. [30] This movement was social so propaganda was crucial to its success. [31]