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Fractal geometry lies within the mathematical branch of measure theory. One way that fractals are different from finite geometric figures is how they scale . Doubling the edge lengths of a filled polygon multiplies its area by four, which is two (the ratio of the new to the old side length) raised to the power of two (the conventional dimension ...
The main catalyst for the development of chaos theory was the electronic computer. Much of the mathematics of chaos theory involves the repeated iteration of simple mathematical formulas, which would be impractical to do by hand. Electronic computers made these repeated calculations practical, while figures and images made it possible to ...
Fractal Art is a subclass of two-dimensional visual art, and is in many respects similar to photography—another art form that was greeted by skepticism upon its arrival. Fractal images typically are manifested as prints, bringing fractal artists into the company of painters, photographers, and printmakers. Fractals exist natively as ...
Images of the Mandelbrot set exhibit an infinitely complicated boundary that reveals progressively ever-finer recursive detail at increasing magnifications; mathematically, the boundary of the Mandelbrot set is a fractal curve. The "style" of this recursive detail depends on the region of the set boundary being examined.
[23] [24] Visual patterns in nature find explanations in chaos theory, fractals, logarithmic spirals, topology and other mathematical patterns. For example, L-systems form convincing models of different patterns of tree growth. [19] The laws of physics apply the abstractions of mathematics to the real world, often as if it were perfect.
The Beauty of Fractals is a 1986 book by Heinz-Otto Peitgen and Peter Richter which publicises the fields of complex dynamics, chaos theory and the concept of fractals. It is lavishly illustrated and as a mathematics book became an unusual success. The book includes a total of 184 illustrations, including 88 full-colour pictures of Julia sets.
Fractal fern in four states of construction. Highlighted triangles show how the half of one leaflet is transformed to half of one whole leaf or frond.. Though Barnsley's fern could in theory be plotted by hand with a pen and graph paper, the number of iterations necessary runs into the tens of thousands, which makes use of a computer practically mandatory.
The first few steps starting, for example, from a square also tend towards a Sierpiński triangle. Michael Barnsley used an image of a fish to illustrate this in his paper "V-variable fractals and superfractals." [2] [3] Iterating from a square. The actual fractal is what would be obtained after an infinite number of iterations.