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The statue of Athena Parthenos [N 1] (Ancient Greek: Παρθένος Ἀθηνᾶ, lit. 'Athena the Virgin') was a monumental chryselephantine sculpture of the goddess Athena . Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to Athena, its tutelary deity .
The Varvakeion Athena is a Roman-era statue of Athena Parthenos now part of the collection of the National Archaeological Museum of Athens. It is generally considered to be the most faithful reproduction of the chryselephantine statue made by Phidias and his assistants, which once stood in the Parthenon. [1] It is dated to 200–250 AD. [2]
The reproduction Athena Parthenos statue. Nashville's nickname, the "Athens of the South", [4] influenced the choice of the building as the centerpiece of the 1897 Centennial Exposition. A number of buildings at the exposition were based on ancient originals. However, the Parthenon was the only one that was an exact reproduction.
The cella of the Parthenon housed the chryselephantine statue of Athena Parthenos sculpted by Phidias and dedicated in 439 or 438 BC. The appearance of this is known from other images. The decorative stonework was originally highly coloured. [77]
The Athena Promachos (Ἀθηνᾶ Πρόμαχος, "Athena who fights in the front line") was a colossal bronze statue of Athena sculpted by Pheidias, which stood between the Propylaea [1] and the Parthenon on the Acropolis of Athens.
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
Fans think they found the "bronze spray-tanned statue" Taylor Swift referenced on The Tortured Poets Department.
The Varvakeion Athena, a Roman-era statue of Athena Parthenos considered to be the most faithful reproduction of the chryselephantine statue made by Phidias and his assistants, as displayed in the National Archaeological Museum, Athens. Of Phidias's life, little is known apart from his works.
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