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The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt".
Woman wearing a one-piece bliaut and cloak or mantle, c. 1200, west door of Angers Cathedral.. The bliaut or bliaud is an overgarment that was worn by both sexes from the eleventh to the thirteenth century in Western Europe, featuring voluminous skirts and horizontal puckering or pleating across a snugly fitted under bust abdomen.
Examples of men's skirts and skirt-like garments from various cultures include: The fustanella is a full-pleated skirt worn by men in Albania and Greece and other parts of the Balkans. By the mid-20th century, it was relegated to ceremonial use and as period or traditional costume.
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It consists of a rectangle of cloth of varying length, between below-knee and ankle-length, wrapped around the hips and traditionally fastened by tying at the waist or has an elastic waist. Modern men's sulus may be fastened with buckles. [3] This version of the sulu is believed to have been designed for formal wear by Ratu Sir Lala Sukuna.
In addition to tailored skirts, women wore stiletto heel shoes and suits with short boxy jackets, and oversized buttons. Simple, geometric dresses, known as shifts, were also in style. For evening wear, full-skirted evening dresses were worn; these often had low necklines or boat-necklines and close-fitting waists.
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