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Gods were immortal but could be bound and restrained, both in mythic narrative and in cult practice. There was an archaic Spartan statue of Ares in chains in the temple of Enyalios (sometimes regarded as the son of Ares, sometimes as Ares himself), which Pausanias claimed meant that the spirit of war and victory was to be kept in the city.
A modified copy of the statue (with a head from a different prototype) is known from the Temple of Al-Lat at Palmyra. [122] The statue would originally have been around 2.3 metres tall, including her helmet and dates to ca. 435-430 BC. She wore a long chiton, knotted at her waist.
The Ares Borghese in the Louvre (Ma 866) The Ares Borghese is a Roman marble statue of the imperial era (1st or 2nd century AD). It is 2.11 metres (6 ft 11 in) high. Though the statue is referred to as Ares, this identification is not entirely certain. This statue possibly preserves some features of an original work in bronze, now lost, of the ...
Later in the work, Phobos and Deimos act as Ares's charioteers to battle the god Dionysus during his war against the Indians. [7] In the Seven Against Thebes by Aeschylus, the seven warriors slaughter a bull over a black shield and then "...touching the bull's gore with their hands they swore an oath by Ares, by Enyo, and by Rout [Phobos]". [8]
The origin of the Roman god of fire Vulcan has been traced back to the Cretan god Velchanos by Gérard Capdeville, primarily under the suggestion of the close similarity of their names. [52] Cretan Velchanos is a young god of Mediterranean or Near Eastern origin who has mastership of fire and is the companion of the Great Goddess.
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Enyalius or Enyalios (Greek: Ἐνυάλιος) in Greek mythology is generally a son of Ares by Enyo [citation needed] and also a byname of Ares the god of war. Though Enyalius as a by-name of Ares is the most accepted version, in Mycenaean times Ares and Enyalius were considered separate deities.