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Fused and kiln-formed glass sculpture. Glass fusing is the joining together of pieces of glass at high temperature, usually in a kiln. [1] [2] This is usually done roughly between 700 °C (1,292 °F) and 820 °C (1,510 °F), [3] [4] and can range from tack fusing at lower temperatures, in which separate pieces of glass stick together but still retain their individual shapes, [5] to full fusing ...
Warm glass or kiln-formed glass is the working of glass, usually for artistic purposes, by heating it in a kiln. The processes used depend on the temperature reached and range from fusing and slumping to casting. "Warm glass" is in contrast to the many cold-working glass processes, such as leaded glass. "Hot glass", glassblowing, or lampworking ...
The simplest cane, called vetro a fili [3] (glass with threads) is clear glass with one or more threads of colored (often white) glass running its length. It is commonly made by heating and shaping a chunk of clear, white, or colored glass on the end of a punty, and then gathering molten clear glass over the color by dipping the punty in a ...
Glass casting is the process in which glass objects are cast by directing molten glass into a mould where it solidifies. The technique has been used since the 15th century BCE in both Ancient Egypt and Mesopotamia. Modern cast glass is formed by a variety of processes such as kiln casting or casting into sand, graphite or metal moulds.
Kiln-formed glass sculpture "United Earth" by Tomasz Urbanowicz. Several of the most common techniques for producing glass art include: blowing, kiln-casting, fusing, slumping, pâté-de-verre, flame-working, hot-sculpting and cold-working. Cold work includes traditional stained glass work as well as other methods of shaping glass at room ...
Kiln – the kiln is used to garage and anneal the glass, protecting the piece from thermal shock and relieving thermal stress. Marver – flat surfaces used to roll glass upon in order to shape, smooth or consolidate applied decoration, typically made of graphite or steel .
In 1621, plans were made to revive glassmaking at Jamestown. The plan was for beads and "drinckinge Glasse" products to be produced by four Italian men who would come to Jamestown with their families. [36] The glassworkers sailed for Jamestown in late August 1621. A glass house was constructed, but the Massacre of 1622 and
Since devitrification can change the COE somewhat, and devitrified glass tends to be somewhat harder to melt again, there is the possibility of this technique resulting in a less stable piece, however it has also been used effectively with full-fused pieces with no apparent problems. Applying devit spray and refiring can also be effective.
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