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During antiquity, the temple was home to the famous Greek prophetess the Pythia, or the Oracle of Delphi, making the Temple of Apollo and the sanctuary at Delphi a major Panhellenic religious site as early as the 8th century B.C.E., and a place of great importance at many different periods of ancient Greek history. [3]
Apollo. The chryselephantine statues of Apollo, Artemis and Leto occupy a hall in the Delphi Archaeological Museum looking rather like a treasury. They constitute excellent specimens of mid-6th century B.C. art, coming from workshops in Ionia, or, to a certain extent, Corinth.
Organised in fourteen rooms on two levels, the museum mainly displays statues, including the famous Charioteer of Delphi, architectural elements, like the frieze of the Siphnian Treasury and ex votos dedicated to the sanctuary of Pythian Apollo, like the Sphinx of Naxos. The exhibition floor space is more than 2270 m², while the storage and ...
The new museographic approach was the result of the collaboration of the Ephore of Antiquities of Delphi Ioanna Konstantinou and of Christos Karouzos, director of the National Archaeological Museum. The new Delphi Museum opened its gates in 1961, at the time when the economic and cultural regeneration of Greece started bringing loads of foreign ...
The ancient theatre at Delphi was built farther up the hill from the Temple of Apollo giving spectators a view of the entire sanctuary and the valley below. [22] It was originally built in the fourth century BC, but was remodeled on several occasions, particularly in 160/159 B.C. at the expenses of king Eumenes II of Pergamon and, in 67 A.D ...
The Delphic maxims are a set of moral precepts that were inscribed on the Temple of Apollo in the ancient Greek precinct of Delphi. The three best known maxims – "Know thyself", "Nothing in excess", and "Give a pledge and trouble is at hand" – were prominently located at the entrance to the temple, and were traditionally said to have been ...
A rectangular temenos, the remains of the temple at the site date back to as early as the fifth century B.C.E. Still present are a rectangular altar with volute acroteria, as well as a few other round marble altars. An "annual Spring procession which went from Miletus to the Temple of Apollo at Didyma began at the Delphinion". [1]
The fragments were discovered between May and July 1894 on the terraces to the east and northeast of the Temple of Apollo. [1] The excavators rapidly reconstituted a column of around 13 metres, made up of five drums and a capital decorated with acanthus leaves and surmounted by an extension of the stem with three female figures standing 1.95 metres high, [2] wearing chitoniskoi (short tunics ...
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