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The National Gallery of Art. Retrieved 2004-05-15; Selections of nineteenth-century Afro-American Art, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Joshua Johnson (no. 5) Charles Herman Stricker Willmans [permanent dead link ], c. 1804, Baltimore Museum of Art
Charles Willson Peale (April 15, 1741 – February 22, 1827) was an American painter, military officer, scientist, and naturalist.. In 1775, inspired by the American Revolution, Peale moved from his native Maryland to Philadelphia, where he set up a painting studio and joined the Sons of Liberty.
At the outset of his painting career Peale painted portraits and still-life, and by the mid-1780s had established his reputation. At about this time, however, Charles turned over his own miniature portrait practice to him, and throughout the 1790s and early 19th century Peale devoted himself to miniature painting.
He was elected a Fellow of the American Academy of Arts and Sciences in 1826. [9] He was the uncle of the artists George Whiting Flagg and Jared Bradley Flagg, both of whom studied painting under him. The first American exhibition of Allston's work was in 1827 when twelve of his paintings were shown at the Boston Athenæum. [10]
Henry Pelham (February 14, 1748/49 – 1806) was an American painter, engraver, and cartographer active during the late 18th century. Pelham's many illuminating letters, especially to his half-brother and fellow painter John Singleton Copley , provide an important contemporary perspective of the events of the American Revolution .
Joseph Badger (c. 1707–1765) was a portrait artist in Boston, Massachusetts, in the 18th century. He was born in Charlestown, Massachusetts, to tailor Stephen Badger and Mercy Kettell. He "began his career as a house-painter and glazier, and ... throughout his life continued this work, besides painting signs, hatchments and other heraldic ...
This is a non-diffusing parent category of Category:18th-century African-American painters and Category:18th-century Native American painters and Category:18th-century American women painters The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
Peale made eight copies of the painting. The original, now owned by the Pennsylvania Academy of the Fine Arts, was completed in early 1779, when Washington sat for Peale in Philadelphia. In January 2006, the painting sold for $21.3 million, the highest price ever paid for an American portrait at the time. [1]
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