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The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices. He made around 8,000 units before ...
The Klon Centaur, made by American engineer Bill Finnegan, was released in 1994 with the aim of recreating the harmonically rich distortion of a guitar amplifier at a high volume. [54] Finnegan wanted a "big, open" sound, with a "hint of tube clipping", that would not sound like a pedal was being used. [54]
Guitars: Paoletti Richard Fortus Signature #2 Guitar in White Leather. Gibson '73 Les Paul Signature, Gretsch White Falcon, Leo Scala Effects: Hiwatt Tape Echo, Lexicon PCM80 Pedals: Klon Centaur, Hermida Mosferatu Amps: 2 channel Cornford, '73 Jose-modded Marshall 100, Plexi Marshalls (modified), Diezel
Zoom's modifications include a wattage switch to select between 40, 20 or 10 watts, and replacing the bass channel with a higher gain channel. The only effect pedal Ness uses live is an overdrive, previously a Boss SD-1 and currently a Klon Centaur, though he has used various delays in the studio. [26]
Along with that, he has two Strymon pedals for delay and reverb. [20] On the band's records after Suicide Season, Malia uses a Klon Centaur overdrive pedal, but when performing live, he uses a Fulltone OCD Overdrive, due to the Klon Centaur being "hard to get a hold of," according to Malia. [21] He uses an Ernie Ball custom .080-gauge guitar ...
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