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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Mid-Century is a 2022 American horror thriller film directed by Sonja O'Hara and written and produced by Mike Stern. The film stars Bruce Dern , Stephen Lang and Shane West , with the latter two also serving as executive producers.
36th century BC: 35th century BC: 34th century BC: 33rd century BC: 32nd century BC: 31st century BC: 3rd millennium BC · 3000–2001 BC 30th century BC: 29th century BC: 28th century BC: 27th century BC: 26th century BC: 25th century BC: 24th century BC: 23rd century BC: 22nd century BC: 21st century BC: 2nd millennium BC · 2000–1001 BC ...
Joseph Leopold Eichler (June 25, 1900 – July 1, 1974) was a 20th-century post-war American real estate developer known for developing distinctive residential subdivisions of mid-century modern style tract housing in California.
The style later became widely known as part of the mid-century modern style, elements of which represent the populuxe aesthetic, [4] [5] as in Eero Saarinen's TWA Terminal. The term Googie comes from the now-defunct Googies Coffee Shop in Hollywood [6] designed by John Lautner. [7] Similar architectural styles are also referred to as Populuxe ...
Pages in category "Mid-century modern" The following 46 pages are in this category, out of 46 total. This list may not reflect recent changes. ...
Detail of a 17th-century Tekke Turkmen carpet. Chang, Chun-shu, and Shelley Hsueh-lun Chang. Crisis and Transformation in Seventeenth-Century China (1998). Langer, William. An Encyclopedia of World History (5th ed. 1973); highly detailed outline of events online free; Reid, A. J. S. Trade and State Power in 16th & 17th Century Southeast Asia ...
The dances popular in mid-century were still being done at the end of the century, but by fewer people. Dance masters, in vain attempts to maintain their place in society and in the economy, invented dances of greater and greater complexity that people followed with less and less enthusiasm.