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[7]: 41 R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. [7]: 46 Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock ...
R.E.M. initially planned releasing "(Don't Go Back to) Rockville" as a non-album single between Reckoning and its next release. [7] When the band recorded it for the album, the group rearranged the song from its live incarnation and gave it a country music-like influence as tribute to their advisor Bertis Downs, IV, who was a fan of country ...
The list includes songs performed by the entire band only (Berry, Buck, Mills and Stipe 1980 to 1997; Buck, Mills and Stipe 1998 to 2011). Side projects, including contributions by solo members of the band, are not included in this list. The list consists mostly of studio recordings.
The music video was directed by Tarsem Singh. The music video for "Losing My Religion" was directed by the Indian filmmaker Tarsem Singh. Unlike previous R.E.M. videos, Stipe agreed to lip-sync the lyrics. [15] The video begins inside a dark room where water drips from an open window.
The song's title was inspired by the film Imitation of Life, directed by German filmmaker Douglas Sirk (pictured).. In the booklet for R.E.M.'s 2003 "best of" album, In Time: The Best of R.E.M. 1988–2003, the band states that the song's title comes from Douglas Sirk's 1959 film of the same name, which none of the band members had ever watched, and that the title is a metaphor for adolescence ...
American alternative rock band R.E.M. has released fifteen studio albums, five live albums, fourteen compilation albums, one remix album, one soundtrack album, twelve video albums, seven extended plays, sixty-three singles, and seventy-seven music videos.
"The record's biggest surprise, however, is its one surefire pop hit, "Everybody Hurts", an almost unbearably passionate argument against suicide. It sounds like a gigantic arena transfiguration of a '50s rock ballad, with Stipe's voice pleading over triplets and massed strings, and surely will be played on radio for generations to come, right next to unforgettable anthems like "Bridge Over ...
And you come back to the fact that playing loud electric-guitar music is about as fun as music can be." [ 19 ] Stipe's vocals were pushed down in the mix. [ 11 ] Buck's guitar work on the album was inspired by the tremolo -heavy guitar playing of Glen Johansson of Echobelly , who supported R.E.M. on some of the Monster Tour. [ 20 ]
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