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Nabucco is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that Nabucco was born under a lucky star." [2]
" Va, pensiero" (Italian: [ˈva penˈsjɛːro]), also known as the "Chorus of the Hebrew Slaves", is a chorus from the opera Nabucco (1842) by Giuseppe Verdi. It recollects the period of Babylonian captivity after the destruction of Solomon's Temple in Jerusalem in 586 BC.
He evokes the genesis of Nabucco and reveals his preoccupation with the Austrian censorship. The rehearsal pianist and the singer leave. The rehearsal pianist and the singer leave. Alone on the stage, Merelli is reflecting on the young Verdi and on the fact that his companion, Giuseppina Strepponi, seems attracted to him.
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Nabuco's A Sucessora (The Successor), published in 1934, has a main plot similar to Rebecca, for example a young woman marrying a widower and the strange presence of the first wife—plot features also shared with the far older Jane Eyre.
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Zaccarias in Nabucco – "Stefan Szkafarowsky, by contrast, infused the prophet Zaccarias with a burning intensity that lifted the level of the show whenever he was on stage." – The Hartford Courant ; "Bass Stefan Szkafarowsky's Zaccaria was smooth, liquid, and dignified; a natural and imposing figure for the high priest."
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