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Pentacle. A pentacle (also spelled and pronounced as pantacle in Thelema, following Aleister Crowley, though that spelling ultimately derived from Éliphas Lévi) [1] is a talisman that is used in magical evocation, and is usually made of parchment, paper, cloth, or metal (although it can be of other materials), upon which a magical design is drawn.
Pentacle: Mesopotamia: An ancient symbol of a unicursal five-pointed star circumscribed by a circle with many meanings, including but not limited to, the five wounds of Christ and the five elements (earth, fire, water, air, and soul). In Satanism, it is flipped upside-down. See also: Sigil of Baphomet. Rose Cross
Drawing a circle around the five points creates a similar symbol referred to as the pentacle, [1] which is used widely by Wiccans and in paganism, or as a sign of life and connections. The word pentagram comes from the Greek word πεντάγραμμον (pentagrammon), [2] from πέντε (pente), "five" + γραμμή (grammē), "line". [3]
If you pull the Four of Pentacles tarot card in a tarot reading, here's what it could mean, including upright and reversed interpretations and keywords.
Angel numbers are repeating number sequences, often used as a guide for deeper spiritual exploration. These sequences can range from 000 to 999 and have a distinct meaning and energy.
No More Fish, No Fishermen is a song whose lyrics were composed by Canadian folklorist and singer Shelley Posen, about the demise of the Newfoundland cod fishery in the 1990s. [1] Although it was written in 1996, it is often assumed to be a traditional song. [ 2 ]
The lyrics to "Wade in the Water" were first co-published in 1901 in New Jubilee Songs as Sung by the Fisk Jubilee Singers by Frederick J. Work and his brother, John Wesley Work Jr., an educator at the historically black college in Nashville, Tennessee, Fisk University. Work Jr. (1871–1925)—who is also known as John Work II—spent thirty ...
"Steal Away" is a standard Gospel song, and is found in the hymnals of many Protestant denominations. An arrangement of the song is included in the oratorio A Child of Our Time, first performed in 1944, by the classical composer Michael Tippett (1908–98). Many recordings of the song have been made, including versions by Pat Boone [6] and Nat ...