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Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
Saturn (1636) by Rubens. Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy.
Saturn Devouring His Son, one of the Black Paintings by Goya (1819–1823). A series of parallel themes also exist in Disasters of War and the eponymous unnumbered print The Giant or Colossus, dating from between 1814 and 1818, [4] which shows a giant seated in a dark and desolate landscape with a crescent moon in the top corner. However, the ...
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Technical analysis indicates that most of the Black Paintings began with preparatory drawings. Witches' Sabbath is the exception; the final composition seems to have been painted directly onto the wall. The art historian Fred Licht described Goya's brushwork as "clumsy, ponderous, and rough" and in areas lacking the finish found in his earlier ...
Henry IV at the Battle of Ivry by Peter Paul Rubens (). There has been debate about the extent to which Goya was influenced by Rubens. Goya's Saturn Devouring His Son, c. 1819–1823 suggests a familiarity with Rubens' 1636 version in the Prado.
"If I can make a book that makes someone say, 'This scared me like "Hereditary" or "Longlegs" did,' I’ll die happy," Jackson says.
Los Caprichos is a series of 80 etchings published in 1799 wherein Goya criticized the rampant political, social, and religious abuses of the time period. In this series of etchings, Goya heavily utilized the popular technique of caricature, which he enriched with artistic innovation.