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Reckoning (alternatively titled File Under Water) [4] is the second studio album by American alternative rock band R.E.M., released on April 9, 1984, by I.R.S. Records. Produced by Mitch Easter and Don Dixon, the album was recorded at Reflection Sound Studio in Charlotte, North Carolina, over 16 days in December 1983 and January 1984.
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American alternative rock band R.E.M. has released fifteen studio albums, five live albums, fourteen compilation albums, one remix album, one soundtrack album, twelve video albums, seven extended plays, sixty-three singles, and seventy-seven music videos.
The list consists mostly of studio recordings. Remix and live recordings are not listed separately unless the song was only released in that form. [1] Album singles are listed as released on their respective album. Only one release is listed per song, except for a couple of re-recordings, like their first Hib-Tone single.
Central Rain (I'm Sorry)" is a song by the American alternative rock band R.E.M. It was released in May 1984 as the first single from the group's second studio album, Reckoning . R.E.M. performed a rough version of the song on the NBC television show Late Night with David Letterman on October 6, 1983—before the song had a title—in what was ...
It should only contain pages that are R.E.M. albums or lists of R.E.M. albums, as well as subcategories containing those things (themselves set categories). Topics about R.E.M. albums in general should be placed in relevant topic categories .
Stipe sang the liner notes to that album to the music of "7 Chinese Bros.", which inspired him to record a usable vocal performance of the lyrics to "7 Chinese Bros." [1] [7] The recording of the liner notes to The Joy of Knowing Jesus was issued as a b-side to the 12" single of "So. Central Rain (I'm Sorry)" under the title "Voice of Harold".
A live version of the song was released as the B-side to "Leaving New York" in 2004 and on R.E.M. Live in 2007. Twelve years after originally written, alternative rock band 10,000 Maniacs included a cover version as the fourth track on their 1992 single "Candy Everybody Wants".