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Kerplunk (stylized as Kerplunk!) [nb 1] is the second studio album by the American rock band Green Day, released on December 17, 1991, by Lookout! Records.Following a US tour promoting their debut studio album 39/Smooth (1990), drummer John Kiffmeyer left to attend college and was replaced by Tré Cool, formerly of the Lookouts.
The album placed Green Day at the forefront of the 1990s punk rock revival. [5] Insomniac, the band's fourth studio album, was released in October 1995. While not as successful as Dookie, the album managed to peak at number two on the US Billboard 200 and received a double platinum certification from the Recording Industry Association of ...
Green Day [b] 1,000 Hours (EP) 1989 "16" Green Day [b] 39/Smooth: 1990 "1981" Billie Joe Armstrong Green Day Saviors: 2024 "2000 Light Years Away" Billie Joe Armstrong Green Day Jesse Michaels Pete Rypins Dave E.C. Henwood Kerplunk: 1991 "21 Guns" Billie Joe Armstrong Green Day 21st Century Breakdown: 2009 "21st Century Breakdown" Billie Joe ...
Green Day's two major albums, 'Dookie' and 'American Idiot,' turn 30 and 20 this year. ... Green Day Kerplunk. ... After years of dwindling sales and the 2001 release of their first greatest hits ...
"Welcome to Paradise" is a song by the American rock band Green Day. It first appeared as the third track on the band's second studio album, Kerplunk (1991). It was re-recorded and rereleased as the fifth track on the band's third studio album, Dookie (1994), and released as the album's third single. Its physical release was exclusive to the ...
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Kerplunk may refer to: Kerplunk, an album by Green Day; KerPlunk, a game of skill involving marbles and rods in a cylinder; KerPlunk, a nickname given to the sculpture B of the Bang; Kerplunk experiment, an experiment of psychology conducted by John Watson; A tune by jazz trumpeter Donald Byrd on the 1956 Jackie McClean album Lights Out!
39/Smooth is the debut studio album by the American rock band Green Day, released on April 13, 1990, by Lookout Records.After finalizing their line-up, the band played frequent shows at the 924 Gilman Street venue, where they started attracting a following and eventually caught the attention of Lookout Records' founder Larry Livermore.
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