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Vietnamese clothing is the traditional style of clothing worn in Vietnam by the Vietnamese people. The traditional style has both indigenous and foreign elements due to the diverse cultural exchanges during the history of Vietnam .
Áo dài (English: / ˈ aʊ ˈ d aɪ, ˈ ɔː ˈ d aɪ, ˈ aʊ ˈ z aɪ /; Vietnamese: [ʔaːw˧˦ zaːj˨˩] , [ʔaːw˦˥ jaːj˨˩] ) [1] [2] is a modernized Vietnamese national garment consisting of a long split tunic worn over silk trousers. It can serve as formalwear for both men and women. Áo translates as shirt [3] and dài means "long ...
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m]) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic. These tunics are often worn at ceremonies, birthdays, festivals and other circumstances where the women wear an expensive áo dài. [2]
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The wedding gown compared to other traditional Vietnamese clothes is more intricate in terms of design and only reserved for the wedding days. For brides, the outfit includes an extravagant (often transparent) outer cloak; some brides choose to not wear it in favor of showing off their dresses more or replace the cloak with an attached cape ...
Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam, especially in the Mekong Delta. Often worn as a top and bottom set, the áo bà ba is ...
Traditional Vietnamese art is a part of art practiced in Vietnam or by Vietnamese artists, from ancient times (including the elaborate Đông Sơn drums) to post-Chinese domination art which was strongly influenced by Chinese Buddhist art, as well as Taoism and Confucianism.
A full set of lamellar armour has not been found, but quantifies of individual scales survive. Each scale has two holes for a connector, suggesting that the method of construction may have been different from Chinese and Korean counterparts. It is not yet understood whether lamellar and mirror armour were used in conjunction or worn separately.