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Like the origin of language, the origin of music has been a topic for speculation and debate for centuries. [3] Leading theories include Darwin's theory of partner choice (women choose male partners based on musical displays), the idea that human musical behaviors are primarily based on behaviors of other animals (see zoomusicology), the idea that music emerged because it promotes social ...
David Benjamin Lewin (July 2, 1933 – May 5, 2003) was an American music theorist, music critic and composer.Called "the most original and far-ranging theorist of his generation", [1] he did his most influential theoretical work on the development of transformational theory, which involves the application of mathematical group theory to music.
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
[n 1] But this medieval discipline became the basis for tuning systems in later centuries and is generally included in modern scholarship on the history of music theory. [n 2] Music theory as a practical discipline encompasses the methods and concepts that composers and other musicians use in creating and performing music.
Garage rock was a form of amateurish rock music, particularly prevalent in North America in the mid-1960s and so called because of the perception that it was rehearsed in a suburban family garage. [ 21 ] [ 22 ] Garage rock songs revolved around the traumas of high school life, with songs about "lying girls" being particularly common. [ 23 ]
Transformational theory is a branch of music theory developed by David Lewin in the 1980s, and formally introduced in his 1987 work, Generalized Musical Intervals and Transformations. The theory—which models musical transformations as elements of a mathematical group —can be used to analyze both tonal and atonal music .
Garage rock was a raw form of rock music, particularly prevalent in North America in the mid-1960s and is called such because of the perception that many of the bands rehearsed in a suburban family garage. [49] [50] Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" being particularly common ...
Many medieval music manuscripts of Europe were anonymous, and later compilers such as Martin Gerbert and Edmond de Coussemaker assigned names to unknown authors, [5] such as 'Anonymous IV'. Concurrent with medieval Europe, scholars of the emerging Islamic Golden Age often more readily and thoroughly engaged with ancient Greek music treatises. [ 6 ]