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A style of composition in which two sections of singers or instrumentalists exchange sections or music one after the other; typically the performers are on different sides of a hall or venue apaisé (Fr.) Calmed appassionato Passionate appoggiatura or leaning note One or more grace notes that take up some note value of the next full note. arco
A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque music Segue: it follows: A smooth movement from one passage to another with no pause Simile: similar: Continue applying the preceding directive, whatever it was, to the following ...
The term romance (Spanish: romance/romanza, Italian: romanza, German: Romanze, French: romance, Russian: романс, Portuguese: romance, Romanian: romanţă) has a centuries-long history. Applied to narrative ballads in Spain, it came to be used by the 18th century for simple lyrical pieces not only for voice, but also for instruments alone.
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument ...
The statisticians behind it argue that the "serenade" love songs that hit music charts in the past – the ones that drip with devotion for someone else – are only one type of love song.
The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, lied is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love.
In other words: All beautiful music must at first rate and always satisfy the absolute rules of music which are not to be violated or prescribed. [21] This last point of view is very much resembling Hanslick's opinion. It is therefore not surprising that Liszt and Hanslick were not enemies. Whenever they met they did it with nearly friendly ...
Interval between one musical pitch and another with half or double its frequency. Octaves can be played one note after the other (e.g. a low C and then a high C), or they can be played together at the same time on instruments such as the guitar, piano, organ, etc.